At Hundred Colours, we take music very seriously. Writing a jingle or a tune is only half of the job. These days, with the demands of multi device output, audio needs to work on the widest range of devices ever, such as; phones, tablets,  cars, TV's, large sound systems, cinema, and theatres.

To do this, every piece of audio created is treated with a critical ear. We use a combination of state of the art digital tools alongside holy grail analog hardware including EMI Abbey Road Chandler Limited (Beatles gear), SSL, Neve, Manley Labs, Fairchild, Maselec, SPL Mastering along others. In fact, we work alongside the worlds leading audio software developers offering beta testing and user input. The music is treated and finalised by the same people behind the biggest hit records in the world such as Daft Punk, Pharrell, Robbie Williams, Hans Zimmer to name a few.

You see, the problem with today's industrial composers is that whilst they have been trained at university to compose, play keyboards and sequence music, when it comes to audio fidelity, the presented files are often flat and lifeless. It is shocking how poor some audio in today's entertainment, media and theatre actually is. Bedroom composers delivering to production houses without mixing and mastering processing...not on our watch!